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Mad Magazine Collection Pdf 11

Besides, the free MAD magazine back issues online, I have also included MAD magazine books, MAD paperbacks, and MAD special editions.

Mad Magazine Collection Pdf 11


You just click on any of the link on this page, and you can start enjoy reading all the free MAD magazine pdf, filled with humorous articles, quirky quotes and amusing cartoons.

Among the MAD magazine artists and writers are: Jack Davis, Sergio Aragonés, Mort Drucker, Don Martin, Dave Berg, George Woodbridge, Al Jaffee, Paul Coker, Sam Viviano, Dick DeBartolo, Stan Hart, Frank Jacobs, Tom Koch, and many more loonies.

Disclaimer: I do not publish or host any of the magazines and books here. They are copyrighted to their respective owners. All content cited is derived from their respective sources.

This list of film spoofs in Mad includes films spoofed (parodied) by the American comic magazine Mad. Usually, an issue of Mad features a spoof of at least one feature film or television program. The works selected by the staff of Mad are typically from cinema and television in the United States.

These articles typically cover five pages or more, and are presented as a sequential storyline with caricatures and word balloons. The opening page or two-page splash usually consists of the cast of the show introducing themselves directly to the reader; in some parodies, the writers sometimes attempt to circumvent this convention by presenting the characters without such direct exposition. This approach was also used for Mad's television parodies, and came to be identified with the magazine. The style was widely copied by other humor publications. In 1973, the promotional movie poster for Robert Altman's The Long Goodbye was designed in the introductory manner of a Mad parody, including the rectangular word balloons with self-referential dialogue; for verisimilitude, the poster was written and drawn by Mad regulars Frank Jacobs and Jack Davis.

Cracked was an American humor magazine. Founded in 1958, Cracked proved to be the most durable of the many publications to be launched in the wake of Mad magazine.[1][2][3][4][5][6]

In print, Cracked conspicuously copied Mad's layouts and style,[7][8][9][10] and even featured a simpleminded, wide-cheeked mascot, a janitor named Sylvester P. Smythe on its covers, in a manner similar to Mad's Alfred E. Neuman.[11] Unlike Neuman, who appears primarily on covers, Smythe sometimes spoke and was frequently seen inside the magazine, interacting with parody subjects and other regular characters. A 1998 reader contest led to Smythe finally getting a full middle name: "Phooey." An article on, the website which adopted Cracked's name after the magazine ceased publication, joked that the magazine was "created as a knock-off of Mad magazine just over 50 years ago", and it "spent nearly half a century with a fan base primarily comprised of people who got to the store after Mad sold out."[12]

Cracked's publication frequency was reduced in the 1990s, and was erratic in the 2000s.[13] In 2006, the magazine was revived with a new editorial formula that represented a significant departure from its prior Mad style. The new format was more akin to "lad" magazines like Maxim and FHM.[14] The new formula, however, was unsuccessful and Cracked again canceled its print magazine in February 2007 after three issues. Later that year, the brand was carried over to a website,, now owned by Literally Media.

Some notable artists provided art for Cracked, in particular John Severin. Severin was one of the original artists on Mad, and worked heavily on EC Comics' war books. He was also one of the pre-eminent artists in Western comics. He would eventually come to be best known as Cracked's house cartoonist. For almost 40 years, he was the magazine's mainstay artist, frequently illustrating multiple articles in the same issue, and virtually all of its covers. Reacting to his own company's obituary of Severin in 2012, Fantagraphics co-publisher Kim Thompson wrote, "I don't think I'm [alone] in thinking of Cracked for most of its run as 'a bunch of crap, and John Severin.'"[16]

A typical issue of Cracked included two TV or movie parodies illustrated by Severin. The magazine also published "interview" articles featuring the recurring character Nanny Dickering (Nancy Dickerson was then an investigative newscaster).[citation needed]

One of the magazine's longest-running features was "Shut-Ups", which were two-panel gags in which a character would make an observation or excuse in the first panel, and then be told to "SHUT UP" in the second, as the true situation was visually revealed. "Hudd & Dini" by Vic Martin, a gag strip about two convicts' failed schemes to escape prison, also ran frequently, as did John Severin's Western strip "Sagebrush." Other recurring features included "Ye Hang-Ups", "The Talking Blob", "Spies vs. Sabs" (originally "Saboteurs & Investigators") and, in the 1980s, "the Uggly Family" by Daniel Clowes.[citation needed]

Ace Books published four Cracked collections, The Cracked Reader (K-111 NA, 1960), More Cracked, Completely Cracked and Cracked Again (M-146, 1965). Sproul was listed as editor of the 1960 book.

In the mid-1970s, Cracked moved into foreign markets. In Great Britain, they produced Cracked British Edition, which consisted entirely of reprinted material from the American magazine edited to localize spelling and pop-culture references. In Germany, there were three publications that included Cracked reprints. First was Kaputt, which ran from 1974 to 1983; it was followed by Stupid, which ran from 1983 to 1984, and, finally, Panic. All magazines used original material in addition to the translated Cracked reprints. Articles were often colorized, particularly in Stupid, or printed in black and white with a single added color. Covers were original, but were often reworkings of previous Cracked covers. It was published in Brazil under the name Pancada by Editora Abril, from 1977 to 1980. The content was translated from the English original and adapted to the Brazilian reality of the time (the Democratic and Republican parties were substituted respectively by ARENA and MDB, political parties of that era), and football jokes were made into soccer jokes. Most covers were reused from the original American magazine, but some were made by local artists.[citation needed] Two attempts were made in the 1990s to launch the magazine in Australia.

In 1985, Mort Todd became editor of Cracked magazine at age 23. In 1987, Cracked made waves in the comic industry by seemingly raiding cartoonist Don Martin from rival Mad, after Martin's 32-year career there.[21][22] Martin had left Mad months earlier due to a business dispute.[citation needed]

Martin worked for Cracked for about six years, and the magazine, in a tweak at its rival, billed him as "Cracked's Crackedest Artist". Cracked's concurrent attempt to sign Mad's caricaturist Mort Drucker was unsuccessful, but the magazine did acquire longtime Mad contributor Lou Silverstone as editor and writer. Former Mad associate editor Jerry DeFuccio also worked at Cracked for a short period.[citation needed]

Though sales of Cracked always lagged far behind those of Mad, Cracked endured for more than four decades through low pay rates and overhead, and by being part of large publishing groups that could bundle Cracked in with its other magazines as a package arrangement for distributors. Cracked also appeared monthly during the period when Mad was being published just 8 times a year, thus picking up readership from Mad fans that couldn't wait out the six weeks for their next "comedy fix." The magazine would sometimes include attention-grabbing giveaways inside its pages, such as iron-ons, stickers or postcards.[citation needed]

American Media moved Globe Communications' New York City operations to Florida, where American Media was headquartered. As a result, Cracked's offices moved to Florida as well. Most of the magazine's long-term editors and writers did not move to Florida, leading to a large turnover in Cracked's staff.[14] Published reports indicate that American Media never had an interest in supporting the magazine, which was only selling in the high five figures, compared with AMI's multi-million-selling line of tabloids. Cracked's distribution under American Media grew increasingly sporadic.[citation needed]

In 2000, American Media sold Cracked to one of its former Weekly World News employees, Dick Kulpa, who became both Publisher and Editor-in-Chief of Cracked. Under Kulpa, Cracked suffered from a lack of financing. Combined with Cracked's weakened distribution, circulation continued to drop precipitously, and Kulpa was forced to turn the magazine into a bi-monthly. Dark Horse Star Wars comic editor Peet Janes briefly joined the staff, but financial difficulties at the magazine ended his tenure very quickly. Later, after being offered a substantial pay cut, signature artist John Severin parted company with the magazine.

In 2004, Kulpa, new editors Scott Gosar and Marten Jallad, and now Promotions Editor Mark Van Woert, who had been with the magazine since 2000 as its webmaster, attempted one last resuscitation of the original title.[citation needed]

In early 2005, Kulpa sold Cracked to Teshkeel Media Group, a federation of Arab, Asian, and American investors, who announced plans to revive Cracked with a new editorial focus and redesign.[27] Its first steps included naming entrepreneur Monty Sarhan as both CEO and publisher. Writer Neal Pollack was named "editor-at-large",[28] and former editor Mort Todd was named a contributing editor.[29] However, Todd quickly departed, complaining to The Comics Journal about low pay rates and work-for-hire issues of copyright. Todd said, "With each visit to the offices I got more dispirited as I saw the direction the magazine was taking. As has been well publicized, Cracked was, instead of ripping off MAD, going to rip off Maxim... A lot of 'revolutionary' humor ideas they've come up with are ones that have been overplayed for decades and ones I rejected for good reason 20 years ago [as Cracked's editor]".[citation needed]

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